Category Movies
Guillermo del Toro’s Pacific Rim Scores Impressive Opening At US Box Office
BY JOANNA CRAWLEY ON JULY 13, 2013
Thursday night previews score better than expected
It looks like Guillermo del Toro’s new film is living up to the hype as ticket sales in the US for Thursday night’s preview screenings of Pacific Rim reach an impressive $3.6 million.
The late night screening sales result match the performance of Brad Pitt’s box office surprise hit World War Z, Variety report.
The figures are thought to be better than Warner Bros. and Legendary were predicting but there’s a note of caution as the preview numbers don’t traditionally give an accurate prediction for how sales will continue.
Traditionally dominated by “fanboys” most potential punters will hold off seeing a sci-fil blockbuster such as del Toro’s until the official opening weekend.
Vareity point out though that heading into this weekend’s opening, Pacific Rim is tracked to make just under $35 million. Overseas, the opening numbers were mixed though, taking in a hefty $200 million-plus in Korea but just $604,000 in Australia.

Idris Elba stars in Guillermo del Toro’s Pacific Rim (Warner Bros/Legendary)
Meanwhile del Toro has hinted that his aliens versus monsters sci-fi, starring Idris Elba and Charlie Hunnam, could spawn a sequel.
Referring to just one of the many gigantic robots in the film, del Toro confirmed the Gipsy would definitely be making a return. “I’ll tell you a couple of things. We will have Gipsy 2.0 for sure,” del Toro told MTV News. “Second thing is you’re gonna see a merging of Kaiju and Jaeger. And that is quite special.”
Just in case you’re not quite keeping up with all the jargon, the movie follows the plight of human soldiers who use giant robots, jaegers, to fight against undersea monsters called Kaiju. An underwater battle takes place as the soldier’s fight to complete their task to close a portal between their world and the one from which the monsters come from. Del Toro also added another fact to considered for the sequel: ”
Just think about it for a second, we sent Gipsy to the other side, right? It exploded, but whatever remains stays there.”
Pacific Rim is now playing at UK and US cinemas.
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Pacific Rim Movie Review
PACIFIC RIM
STARRING: Charlie Hunnam, Diego Klattenhoff, Idris Elba, Rinko Kikuchi, Charlie Day, Ron Perlman 2013, 131 Minutes, Directed by: Guillermo del Toro
Guillermo del Toro divides his time between Hollywood blockbusters and arthouse fare and has notched amazing achievements with both. This is the director who made both Hellboy and Pan’s Labyrinth. This time, though, he’s gone high concept. The movie is essentially Godzilla vs. Transformers. For some that’s going to be more than enough. One doesn’t pop in the DVD for, say, Godzilla vs. Mecha-Godzilla expecting to see The Seventh Seal. The premise is that an undersea rift in the Pacific Ocean has brought forth increasingly ferocious giant monsters that are destroying coastal cities around the world. They are dubbed kaiju from the Japanese word defining the whole genre of giant monster movies. To fight back humanity has built the jaegers, from the German for hunter. The jaegers are giant robots that require two humans to meld their minds with the mechanism and each other in order to operate it. That’s really all you need to know. Yes, there are human characters who are given sketchy backstories, but you won’t really care about them.
Raleigh (Charlie Hannum) lost his brother in a fight with one of the kaiju. Stacker (Idris Elba) is the leader of the human fighters who keeps popping pills to deal with some mysterious injury inflicted in an earlier fight. Mako (Rinko Kikuchi) was rescued by Stacker as a young girl and now helps train the jaegers. None of these characters are much more than cardboard cutouts. There are a couple scientists (Charlie Day, Burn Gorman) who provide crucial information late in the film but who are essentially there for comic relief. Thank goodness for Ron Perlman who chews the scenery in fine style as Hannibal Chau, a shady dealer who markets in the remains of dead kaiju. His scenes come to life in a way that very little else does in the film. That’s the problem. Pacific Rim exists primarily for the battle scenes between the kaiju and the jaegers and then does everything it can to make them difficult to follow. They take place mostly at night, often in the rain when not underwater, and are edited in such a way that it’s often difficult to know what precisely is going on except that two large special effects are fighting each other. Are those pieces flying away part of the kaiju, part of the robot, or simply pieces of yet another city being trashed in one of this summer’s movies? Who can tell? At one point one of the jaegers turns out to have a hidden sword that proves an effective weapon and one can only wonder why it wasn’t used earlier. So, if you are all hopped up for Pacific Rim because you can’t imagine more fun than giant monsters battling giant robots, go and enjoy yourself. Just don’t expect it to make much sense logically, narratively or visually. It’s not a very good science fiction movie, but it is a heck of an amusement park ride. – Daniel Kimmel |
Sci-Fi Film ‘Europa Report’ Uses Science to Show Space Travel Perils
Per Yahoo News
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The new science fiction movie “Europa Report” is billed by some admirers as one of the most accurate depictions of human spaceflight ever put on film, and that realism is no accident.
Screenwriters, expert consultants, actors and others worked to bring a sense of reality to “Europa Report,” paying meticulous attention to the world they were creating in the spaceship and depicting on the surface of Jupiter’s icy moon Europa.
“One of the first things that drew me to the script was the fact that, as I was reading it, everything in there seemed to be at least inspired by what we know both about space travel and the possibility of what could be found on Europa while at the same time keeping a great equilibrium with making a movie that was also thrilling and interesting that kept me gripped until I finished the last page of the script,” Sebastián Cordero, the director of “Europa Report,” said. [See images and stills from the science fiction film “Europa Report”]
The movie follows the journey of a crew of astronauts sent on the first manned mission to Europa. It is shot documentary-style and features interviews with various people involved in the harrowing undertaking to seek out alien life in the solar system. You can watch the “Europa Report” trailer here.
Scientists working with NASA’s Jet Propulsion Laboratory in Pasadena, Calif., consulted with Cordero and other members of the team during the film’s production. Steven Vance — the lead for the habitability team of JPL’s Icy Worlds Astrobiology group — and Kevin Hand — the deputy chief scientist for solar systems exploration at JPL — both helped to create the realistic world of “Europa Report.”
“We would go back and forth on the different issues that they would find … and different things we could incorporate that we could run by them,” Cordero said of Hand and Vance’s work on the movie. “During the shooting itself, we had a very short shooting schedule and basically once we had settled on the things that the screenplay called for, and once we basically had some sort of blessing from our scientists, we felt that we could go ahead and shoot this. However, during postproduction, there was also a lot of back and forth.”
Scientists helped Cordero and the rest of the production team craft a realistic-looking computer- generated surface of Europa when they were putting the final touches on the film.
The filmmakers also conferred with other scientists during the movie’s production. In order to understand the backgrounds of some of the astronauts written into the script, Cordero and his team worked with other researchers to more fully understand the motivations the characters could have for embarking on such a dangerous journey.
In the original script, the screenwriters had written generic scientists into the movie, but after consulting with an oceanographer, the filmmakers decided to be more specific, including an oceanographer, engineers and other scientists onboard the ship bound for Europa, Cordero said.
The filmmakers also added a few hidden gems for fans of space travel. The rocket launch shown at the beginning of the film was footage from the 2011 launch of NASA’s Juno spacecraft, expected to arrive at Jupiter in 2016.
“Europa Report” is currently available in the iTunes store and is set for release in theaters on Aug. 2.
Orson Scott Card’s antigay views prompt ‘Ender’s Game’ boycott
From the LA Times:
The books of the bestselling, award-winning “Ender’s Game” science-fiction series, about child soldiers in space, are almost universally beloved. The same cannot be said for their author, Orson Scott Card.
Over the years, Card has spoken and written publicly about his opposition to gay rights and gay marriage — to the extent that one group, Geeks OUT, felt compelled to speak up about it. On the website SkipEndersGame.com, they call for a boycott to the film adaptation coming in November.
They quote Card writing in 1990, “Laws against homosexual behavior should remain on the books, not to be indiscriminately enforced against anyone who happens to be caught violating them, but to be used when necessary to send a clear message that those who flagrantly violate society’s regulation of sexual behavior cannot be permitted to remain as acceptable, equal citizens within that society.”
In the Mormon Times in 2009, he wrote, “Married people attempting to raise children with the hope that they, in turn, will be reproductively successful, have every reason to oppose the normalization of homosexual unions.”
Now with the boycott, he’s asking for tolerance. “Now it will be interesting to see whether the victorious proponents of gay marriage will show tolerance toward those who disagreed with them when the issue was still in dispute,” he wrote in a statement to Entertainment Weekly.
Does it make sense to boycott a film because of the political views of the original work’s author? Geeks OUT urges people to pledge not to see the film in theaters, not to rent or buy the DVD, not to stream it, and to eschew its toys and merchandise. “However much you may have admired his books, keep your money out of Orson Scott Card’s pockets,” the group writes.
In his EW statement, Card wrote, “‘Ender’s Game’ is set more than a century in the future and has nothing to do with political issues that did not exist when the book was written in 1984.”
In fact, the “political issues” he talks about were very much alive in 1984. The fight for the civil rights of lesbian, gay, and transgendered people had gone on for years, and back in 1970, Los Angeles held the first of many celebratory gay pride parades.
The boycott’s greatest effect may be to raise awareness — perhaps even Card’s.



