What Kind of Female Character I like

 

I’m sure by now people are noticing that most of my female characters kick ass and are tough as nails. Why is that? I don’t know really; maybe it’s because I find myself bored with the guy saves the day shit. Or perhaps it’s because I’d love to have a tough girlfriend. Either way, it doesn’t matter because that’s the type of character I like.

One of the things that makes me decide whether or not I like an anime is whether or not it is a ‘girl’s with guns’ or the girls are tough as shit. I love Coyote Ragtime Show and it’s not because of a protagonist. Honestly, I love April and watched the entire series just to see her parts. For some reason I found her far more entertaining.

In Canaan, Alphard is the far more interesting person. Not because she’s unabashedly evil, but because she’s not afraid to kick ass and do the things the guy is normally written to do. I can eat this up all day.

Thus, I end up writing or having characters that are similar appear. Athol is the outlier for me, because I’ve never met or ended up writing about a character that is so sociopathic and evil. The girl just doesn’t care if what she does is wrong. She likes to kill and that’s all it is to it.

Talia, while she can be kind, still carries an air of being sinister under her ‘honor and commitment’ exterior.

Maybe it just boils down to me wanting to have a girlfriend who is tough like that. I don’t know. It’s something I’ll keep thinking on.

Does Anyone Really Give A Damn About How Many Words You Write In A Day?

 

I love the threads about how many words a person can write in a day. They really tickle me to death. Does is really matter whether it’s 1k or 6k in a day? To me it sounds like the old ‘my dick is bigger than yours’ that boys have so much.

Now, a person can sit back and write 1k of solid, publishable work compared to another’s 6k of shit? Who’s doing better? The more important thing to consider is this: are you writing something that is of high quality? Now I don’t mean lacking typos, because that’s going to happen even if you type slowly. Do your sentences make sense? Are the simple and clear? Did you use a ten dollar word when a fifty cent word would’ve worked better?

There are so many things to consider when discussing how many words in a day one can write. When sufficiently motivated, I can crank out anywhere from 2.5-4k when in the ‘creative’ phase of the book. After that I end up having to do at least 2-3 edits to get it to what might be considered publishable quality.

Like today: I’ve done a final read through/edit of my Talia novel to the tune of 4-6k, I have also written almost 3-4k in my Athol novel, but I can guarantee you the Athol work is nowhere near publishable quality, so what have I gained? Not much. Although, I will admit that when I’m in the creative phase (when I’m actually putting the idea to paper) I tend to write far more in a day then when I’m rewriting/editing. This is because I just want to get the story down while I have it in my head. After that its edit, edit, edit, edit and edit some more.

In a nutshell, don’t compare yourself against others when it comes to how many words you write in a day. Just make sure they’re the best amount of words you can write. Shoot for quality over quantity.


 

Blind Leading the Blind

 

 

Once again I have to say I find the forums to be comedy relief when I’m trying to work out a difficult section on my writing. Today, it’s reviews of someone’s writing and the one’s making the reviews. When I see someone whose writing sucks ass and is boring as hell trying to tell another writer that the other writer’s work is boring, I nearly bust a gut laughing so hard.

You got to love the self-righteous people who think they’re God’s gift to writing! And the same ones can’t write for shit themselves but they’re trying to tell others how to do it. See the combination of stupidity and comedy? It truly is the blind leading the blind.

Things like this continue to hammer home why aspiring writers need to spend more time writing and less time on forums. They’re liable to get advice that sends them down a rabbit hole that they may never recover from.

Athol Novel Rough Draft Snippet 2-4-2014

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Combat veterans will tell people that on the battlefield, sleep is fleeting and when they did get some, it was always with one eye open. It’s much the same way for assassins; we never know if the police are coming or if someone will try to kill us because  we’ve eliminated targets.

This was the case tonight as I lay in bed looking at the ceiling, with my pistol in my hand. I can’t stop thinking about that assassin, and only a fool would believe that Julia was her name or that mine was Jessica, and whether it was bad luck that we encountered each other or did she hunt us out. Either way, the identity of at least one was known, which left me with the problem of what to do about it.

Gunfights on starships didn’t normally happen; that was something only seen in the movies. Even the military shied away from them unless absolutely necessary because the risk of hull ruptures preyed upon their mind. That meant the girl would have to make direct contact because there wasn’t a chance I’d let Lacey stop eating at communal tables. And when the killer did make her move, I’d be ready to care of her.

Lacey, damn her, is sleeping like a baby and snoring like a chain saw. How one human being can be so relaxed while being pursued beat the hell out of me. People have said that I’m cold as ice and don’t have any emotions whether it’s doing a job or being pursued but Lacey doesn’t have nerves of steel like me, she’s just plain stupid.

Either way, I’m stuck having to protect her and all I want to do now is go back to my apartment and eat Chinese food. At least there I could go back to being an assassin and not have to sit back and try to be a bodyguard to a dumbass bitch who didn’t have a clue how serious of a situation she’s in.

Its times like this that I love to take walks to give myself time to chew on the problem. However, that’d leave Lacey alone in the room and I’d be exposing me money maker to unnecessary risk. Second, I’d hate to have to face Janice after letting Lacey die and explain how we didn’t get the money promised. That’s one conversation I’d rather not have.

Fuck it, I thought as I entered the luxurious warmth of the shower.

Yes it was a risk to leave Lacey unguarded but I needed the time to myself. The number one rule in assassinations was to keep your identity a secret, yet this girl had decided to throw it away. That was just one of many unanswered questions that were rattling around in my mind as I exited the room.

The liner’s owners took great care to make the concourse and atrium beautiful, and that included how it was light during the “night time” hours. Streetlamps, each made to look like an oil lamp, lit the walkways and Christmas lights were wrapped around several of the trees. It made for an area that proved to be both peaceful and romantic at the same time; in fact, I bet even at this hour that there were couples having sex back amongst the shrubs and grassy openings.

A voice in the back of my mind screamed at me to be careful as my senses went onto high alert. If the other assassin was awake, this would be the perfect time to make a move. The area was dim, keeping a person from seeing more than a few feet into the trees, making it a great location for an ambush.

While anyone looking would see a non-threatening teen girl out for a walk, I was anything but. Since firearms were out of the question, nothing kept me from carrying a knife and its hilt bounced against my back as I walked. Let the other woman come; it’d be a fatal mistake.

Its times like this that I wonder what life would’ve been like if Dad hadn’t died. Of course the cold streak that allows me to be such a good killer would’ve remained, but would I have chosen the course Tom put me on? I’d love to say that it wouldn’t have but that’d be a lie. While it would’ve taken some serious work to keep my activities a secret, I still could’ve pulled it off.

Not that it mattered now; Dad was dead and Tom trained me to be a killer. It’s who I am and I doubt I could function in any other job now. Besides, could a normal everyday job allow me to make the kind of money being an assassin did? The answer would be no.

Going back to Earth wasn’t high on my list of things to do. Because I eliminated Tom’s cadre, thus saving the Darbytown Police Chief embarrassment, he allowed me to escape to another colony. In return, we’d agreed on the condition that I’d never come back to my home, which basically exiled me from ever visiting Dad’s grave.

Dad was a good man, everything that Tom wasn’t, and while I don’t think about him much, I do miss him. Birthday and Christmas were the best time of year; we’d get together, have dinner and just enjoy the day together. And he always knew how to give the perfect gift for every occasion.

Tom had always been cold, aloof and borderline assholish to me when I was growing up, so the thought of having to live with him had upset me as Dad slowly weakened from the cancer. I doubt any of us truly knew what my uncle was capable of until the night of the funeral and Tom raped me for the first time. This went on every day for three months until I’d learned enough from my training to have him begging for his life one night. From then on, he kept his hands off me.

Training to be an assassin is hard work; something that takes more than one day or one person. To be successful, I needed to know martial arts, marksmanship and how to hack into security systems of all types. So, Tom’s cadre of corrupt cops each handled a section of my training.

It didn’t take long for the five of them to realize I had natural aptitude for killing, and they made sure to take advantage of my cool nature. While most people would rebel against such manipulations, I reveled in it and my skills continued to grow to reach what you see today. So, in many ways I owe my success to Tom, which to be honest galls me to no end.

I round a bend and to my surprise the assassin is sitting on a bench with her legs pulled tight to her body. It makes the young woman look younger and vulnerable; almost as if she were an older version of me from the Tom years.

“You don’t need a weapon,” she said. “I’m unarmed.”

“Don’t mind me if I don’t believe you.”

“Can’t blame you.”

“I’m so glad you see it my way.”

“You know that you don’t have the slightest chance of protecting your little friend.”

“Bitch, I’m good at what I do. You won’t get close enough to kill her.”

“Give it up, Mareth,” she said, “you’re up against something bigger than you.”

“You know, I always wanted to go big game hunting.”

“I don’t know if you’re stubborn or a whole lot dumber, but adults are playing here. Keep sticking your nose into it and it’ll get chopped off.”

“I always wanted a nose job. This thing is entirely too big.”

“This is your only warning, Mareth. If you don’t back out, I will kill you.”

With that she gets up, turns her back to me, and then walks away. What the fuck? Did that bitch have so little respect for me that she wasn’t afraid of getting a knife to the back?

I’m tempted to run up and ram my knife into her back and kill her, but I’ve got the feeling it wouldn’t work. She was right: there was something bigger going on then I’d been told when taking on the job. And I doubt seriously that Janice lied to me either, which leaves one option: Lacey’s playing me.

If that was the case, what did the little rich bitch have to hide? And who the hell hired the assassin? To be honest, she’s frighteningly confident and skilled, almost as if she worked for the government. Christ, I hope not because that opens up a can of worms I do not want to deal with.

When I get back to the room three hours later, I’m relieved to see Lacey up and preparing for breakfast. Maybe if I’m lucky the girl will tell me what’s going on if I badger her enough. More than likely, she’ll just deflect the questioning and leave me in the dark as usual, so I stop and send a quick text message to Janice.

“Good morning,” Lacey said.

“That depends on your definition of ‘good.’”

“Huh?”

“I had a little encounter with our assassin this morning.”

“Oh, is she dead?”

“No, but I’d like to know why she’s telling me I’m involved in something bigger than I know.”

“Damned if I know.”

“Fuck you, Lacey. Goddamn it, you do know what’s going on! I need to know if I’m going to protect you.”

“Now you listen to me, Mareth,” Lacey’s tone is colder than ice, taking me by surprise. “I’ve told you everything there is to know. Just do your goddamn job and go back home.”

“I don’t know who’s fucking worse,” I grumbled. “You or that prick Tom. And you know what happened to him.”

“Are you threatening me, Mareth? If you are, that’s not good for your long term health.”

With that, Lacey stormed into the bathroom and slammed the door behind her. Where the fuck did that sudden cold streak come from? Yes, I know that Lacey isn’t who I thought she was in school, but up to that moment she’d been some ditzy playgirl. Now, she shows that she can piss ice water and I’m not sure what to do about it.

My computer vibrates to let me know that Janice has answered. The message is brief, to the point, and I raise both eyebrows before closing and then storing the message. It would be useful later.

Since I have nothing better to do, I take a seat and wait on Lacey. Knowing her, it’ll be another hour at least before she’s ready to go to breakfast so might as well get comfortable.

Exactly one hour later Lacey exits the bathroom and starts to get dressed. My instincts are screaming bloody murder because all signs of the coldness from before is gone and it’s been replaced by the ditzy childishness of before.

“Ready for breakfast?” She asked.

“Yeah, I’m starving,” I lied.

“Lead on.”

It’s not often that someone gets the drop on me, but when they do it’s always a doozy. Soon as I open the door, something heavy hits me in the stomach, making me stagger as my breath rushes out in one large wave. Metal gleams in the bright lighting before the pistol slams into the side of my head, causing my vision to black out for a moment, and I fall to the floor.

The Asiatic woman steps over me and then starts to move towards Lacey, who freezes. Simply breathing is a challenge as I try to overcome the pain in my stomach. What the hell did that bitch hit me with? A two by four?

“It’s over,” the assassin said. “You should’ve stayed on Mather Nine and made this easier for both of us. Now I got to kill Mareth too and my bosses aren’t going to like that.”

Making Believable Characters

 

One thing I see discussed a lot on the internet is how to make believable characters, which I admit can be bit of a challenge. So, let’s sit down and discuss this for a couple minutes.

Ok, first off, what makes a believable character? Well, he or she needs to be well-rounded. And what I mean by this is that they need to have both strengths and weaknesses. My character Athol is skilled at killing, in fact she’s one of the best assassins in the Alliance, but she’s also temperamental and arrogant, which can lead to making critical mistakes. Talia? She thinks so highly of herself that she calls herself a ‘tactical genius’ even though most of her plans go south. Throw in a sinister and cruel undercurrent and she’s got enough flaws to choke a horse.

I have to admit though, that creating characters is easy for me now; it’s naming them that I have great difficulty doing. In fact, Athol popped into being all because of the two lines that started off the short story with her. When I wrote them, I didn’t have a clear idea of who the character was until she revealed herself to be this teenaged assassin. That’s why the stories with her are written in first person and as a stream of consciousness. Athol’s telling her own life story, not me, and she’s handling everything.

Now, for most people, creating that character might seem daunting, but it really isn’t. A lot of times, they’ll show themselves as you start your story. Someone I know by the name Maia once told me “just write a story,” which became the mantra I live by. Because here’s why: when you do that, the character will unveil himself or herself to you to start off with, and then as the story progresses they will tell you more about themselves.

See, to me, all of them are real people and I deal with them just like I would you and I. We talk, communicate, and I learn about them and they learn from me. To those who aren’t truly artistically inclined, this might be hard to understand, but it’s truly simple. You want a realistic character, then let them come to life and tell their own life story. You, the writer, are nothing more than the one putting the story to paper. Remember that.

 



 

Why I Hate Do’s and Don’ts in Writing


One thing I constantly see on forums and hear a lot from beginning writers (and some creative writing teachers/professors) is the listing of “Do this…” or “Don’t do that…” After a while it starts to piss me off and here’s why.

Like any other art, or skill, a writer needs to learn all the rules at his or her disposal. The reason for this is to know which ones you can break, when you can do it, and how you can do it. Most, if not all, best-selling novels, or shows, have broken many of them.

How many of us have read a book and been told that the character is a “Mary Sue”? Frankly, I could care less if the character is one, but it seems the drive newbies out of their minds trying to figure out how to “keep from creating one.” Well, if your damn character is one, then so be it! The reader doesn’t give a rat’s ass about it as long as they enjoy the story!

The key to selling a book to an agent and publisher is the quality of the story and how you put things together. They’re looking at whether or not it’s commercially viable and sometimes the stereotypes are what sell. I know it sucks to hear someone say that, but everything is a business and money has to be made or heads start to roll.

Another one is: self-publishing is a waste of time. Now if you’re looking at printing books, then yes it is. If you’re looking to publish digitally, then it’s not quite the major disadvantage it was before. But, here’s the catch: you’re in charge of your own marketing, editing and cover picture. None of these come cheap so be prepared to put some money out to make them look well.

I’ve also noticed established authors don’t spend time worrying about the rules either. As I’ve stated before they’ve learned how to bend some, break others and how to blend it into a good story. That, my friends, is the key to good writing.

Everything boils down to how well you write.

Here We Go Again

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Once again I have to sit back and laugh at debates people have over writing. This time it’s about the words and how complex and simple the ones used are. I have a simple philosophy: use the right word for the right time. And how do I do this? I constantly look up words, even the ones I know, in the dictionary and see how they’re used. I’ve found that there’s been many a time where the word I thought worked really didn’t fit once I studied it to check its proper usage.

Now, with that said do you need to use the complex word when a simple will do? Personally I lean towards the simple and try to make each line easy to read. Why? So the reader has a quick and enjoyable read. However, you’ll find that this is a debate that writers have had over the years. Hell, Faulkner and Hemmingway argued back in forth over this as part of their feud. In fact, Hemingway’s got a quote on it:

“Poor Faulkner. Does he really think big emotions come from big words? He thinks I don’t know the ten-dollar words. I know them all right. But there are older and simpler and better words, and those are the ones I use.”

I am from the Hemingway school of thought: there are simpler words to use. In fact, try too hard to sound smart and one comes across as pompous and stupid. So, with that said, always make sure the right word is used at the right time.


What I learned Today After Taking A Breather From Writing

Today I decided to take most of the day off from writing and allow my head to clear. As I did this, many things came to mind and I thought them over. First off writing isn’t for the faint of heart. Even the best-selling authors get piss poor reviews on works that end up being classics. Thus, a good writer needs to have a thick skin and not let every negative review get to them.

Second, write for the audience, not another writer. Another writer will always end up being more critical of your work than the average reader and sometimes it can do more harm than good. Same thing goes for writing on the forums and letting the amateur writer try to tell you what’s wrong with it. This definitely becomes the blind leading the blind.

Third, things are made overly complicated by many beginning writers. The trap they fall into is trying to write something that’ll be considered both a literary classic and have legendary workmanship. Instead of shooting for the stars and failing miserably, it’s sometimes better to shoot for Jupiter and write a good story and not worry about whether is the best written story. There’s plenty out there that suck ass and still sell good. Don’t get me started on that shit called Twilight.

Fourth, the mark of a mature writer, whether he or she has been published yet, is the ability to write stories and characters that are totally unlikeable. Mareth is one of them for me. There’s nothing good about her; in fact, she’s rotten to the core. But she’s still enjoyable to write. Who doesn’t like writing a bad boy or bad girl character?

I could go on for hours writing down my thoughts but I’m not going to bore you. Hopefully you can glean something from and be able to move forwards as a writer.



Why The Hell People Need To Write Than Live On Forums

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As I sit here and write this I find myself thinking about the state of writing and the people trying to start out in it. There are several forums out there, some are better known than others but it seems that there is a plethora of either the blind leading the blind, or just plain bad advice. And the one that is the worst? The self-described expert. Now they don’t have to come out and call themselves that, but their words do it for them.

 

This is a recipe for disaster on so many fronts and in some ways it’s become comedic to read. First off the threads alone are both sad and illogical. One I read lately: “How Do I Make My Emotionless Character More Likeable.” The poster then goes on to mention how his character loved a woman before she was killed and he sought out revenge. Ok, someone loved another person; that’s an emotion right as is seeking revenge. See the illogic of the post?

 

The list goes on and on especially in either characterization of general writing threads. Most time folks are always asking how to make x-character be x-way. Easy! You write them that way. I have 6 main characters I have created…and the sixth just popped into being based off the opening line to a short story. Each has a distinct personality.

 

Talia: Warrior, leader, arrogant at times, ill-tempered when dealing with fools, carries a sinister undertone beneath her honor and commitment ideals.

Methos: warrior, very loving and protective of her sisters, bombastic, bi-sexual, smart ass to the core. Always ragging the other three about having to save them.

Crios: warrior, pragmatic, loves to follow Talia, the most level headed. Decent tactician.

Dannae: warrior, Doctor, scientist, tech wizard, quiet and low-key, doesn’t revel in taking another beings life, strong fighter when necessary

Micki: teen, serving her conscription period in military, tactical genius, hates military life, riddled with self-doubt, needs friends to keep her believing in herself.

Athol: teen, female, sexually abused by uncle, assassin, cold as ice, loves to kill, moody, obstinate, sarcastic, arrogant, always planning ahead, foul mouthed.

 

There you have it, six different characters, each different, all with their own personality. It’s not that difficult; all folks need to do is spend less time on forums and more time writing.

 

Which brings me to the self-described experts. It is obvious that it seems they don’t have any substantial writing of their own to do or they wouldn’t be on forums trying to tell others what to do.

 

I know what you’re going to ask: “If you’re seeing this, doesn’t that mean you’re posting and not writing?”

 

Actually, no, I’m not posting. The who’s who of morons can be entertaining to read when I need to get away from the final read through of my Talia novel and writing about Athol. So, in all honesty, that’s what I’m doing.

 

To make a long story short, if people want to succeed in writing, they need to be writing not constantly posting on forums where the blind lead the blind. If help is truly needed then look around on the Internet and find a mentor. If you’re story is non-violent, then I can recommend someone that could mentor people if she has space.

 

And as usual, keep writing people!